"This book is a nuanced discussion of contemporary feminist thought in a variety of religious traditions. It draws from both academic and popular writings and offers a rich selection of books to pursue on one's own." —Re-Imagining "This remarkable book examines American women's religious thought in many diverse faith traditions.... This is a cogent, provocative—even moving—analysis." —Publishers Weekly This study of the fruits of many different women’s religious thought offers insights into the ways women may be shaping American religious ideas (...) and world views at the end of the twentieth century. At its broadest, this book presents a multi-voiced response to the question: "When women across many traditions are heard speaking theologically, publicly and self-consciously as women, what do they have to say?". (shrink)

Farrell, Marie T Review(s) of: The first thing to do is live: Essays sacred and secular, by Adrian Lyons SJ (Melbourne: David Lovell Publishing, 2013), pp. 136, pb $27.95.

Farrell, Marie T Review of: Jesus and the dreaming: Discovering an Australian spirituality through Aboriginal-Christian dialogue, by Frank Fletcher, MSC, ed. Fabian Byers, pp. 344, paperback $24.95.

Farrell, Marie Review(s) of: A thinker's guide to sin: talking about wrongdoing today, by Neil Darragh ed. (Auckland, N.Z.: Accent Publications, 2010), pp.228, $35.

Farrell, Marie Review(s) of: Falling in Love with God: Recognising the Call of Christian Love, by Frank Fletcher MSC, ed. (Strathfield: St Paul's, 2010), pp.143, $24.95.

Farrell, Marie Review(s) of: A scriptural way of the cross, by Terence O'Donnell and Eugene Stockton, Lawson NSW: Blue Mountain Education and Research Trust, 2010, pp.39, $12.00.

Farrell, Marie T Review(s) of: How to read a graveyard: Journeys in the company of the dead, by Peter Stanford (London: Bloomsbury, 2013), pp.263, $32.95.

Experiential evidence shows that pain is associated with common meanings. These include a meaning of threat or danger, which is experienced as immediately distressing or unpleasant; cognitive meanings, which are focused on the long-term consequences of having chronic pain; and existential meanings such as hopelessness, which are more about the person with chronic pain than the pain itself. This interdisciplinary book - the second in the three-volume Meanings of Pain series edited by Dr Simon van Rysewyk - aims to better (...) understand pain by describing experiences of pain and the meanings these experiences hold for the people living through them. The lived experiences of pain described here involve various types of chronic pain, including spinal pain, labour pain, rheumatic pain, diabetic peripheral neuropathic pain, fibromyalgia, complex regional pain syndrome, endometriosis-associated pain, and cancer-related pain. Two chapters provide narrative descriptions of pain, recounted and interpreted by people with pain. Language is important to understanding the meaning of pain since it is the primary tool human beings use to manipulate meaning. As discussed in the book, linguistic meaning may hold clues to understanding some pain-related experiences, including the stigmatisation of people with pain, the dynamics of patient-clinician communication, and other issues, such as relationships between pain, public policy and the law, and attempts to develop a taxonomy of pain that is meaningful for patients. Clinical implications are described in each chapter. This book is intended for people with pain, their family members or caregivers, clinicians, researchers, advocates, and policy makers. (shrink)

Surgical devices are often marketed before there is good evidence of their safety and effectiveness. Our paper discusses the ethical issues associated with the early marketing and use of new surgical devices from the perspectives of the six groups most concerned. Health Canada, which is responsible for licensing new surgical devices, should amend their requirements to include rigorous clinical trials that provide data on effectiveness and safety for each new product before it is marketed. Industry should comply with all Health (...) Canada requirements to obtain licenses for new products. Until Health Canada requires effectiveness and safety data, industry should cooperate with physicians in appropriate studies before releasing new products and should make balanced presentations of all the available evidence. Surgeons should, before using a new surgical device, assess the evidence on its effectiveness and safety and ensure they are properly trained and competent in using the device. Surgeons should provide their patients with an evaluation of the available evidence and inform them about possible complications and the surgeon's level of experience with the new device. Patients, who should be given an honest evaluation of the available evidence, possible complications, and the surgeon's experience, should be encouraged to evaluate the evidence and information to their own satisfaction to ensure that fully informed consent is given. Health institutions, responsible for regulating practice within their walls, should review new devices for safety, effectiveness, and economic impacts, before allowing their use. They should also limit the use of new surgical devices to surgeons trained and competent in the new technology. Professional societies should provide guidance on the early adoption of new surgical devices and technologies. We urge all those involved in the development, licensing, and use of new surgical devices to aim for higher ethical standards to protect the health and safety of patients requiring surgery. The lowest acceptable ethical standard would require device manufacturers to provide surgeons with accurate and timely information on the efficacy and safety of their products, allowing surgeons and patients to evaluate the evidence (and the significance of information not yet available) before surgery. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.4 (2002) 623-627 [Access article in PDF] Brief MentionMetamorphoses:a Play By Mary Zimmerman Joseph Farrell I CANNOT REMEMBER A TIME when scholarly interest in a particular classical author was equaled, and maybe exceeded, by a popular enthusiasm measured in weeks on the best-seller lists, boffo box office, and Tony awards. But this seems now to have happened with Ovid. Latinists for some time (...) have been taking Ovid much more seriously than they had done, making his poetry a vehicle for new directions in their work. Over roughly the same period, we have seen Ovidian novels by David Malouf, Christoph Ransmayr, and Jane Alison; fresh translations and ambitious reworkings by Ted Hughes and other poets; and now a remarkable new play by the extraordinary Mary Zimmerman (Circle in the Square, New York, N.Y., from 4 March 2002). 1Zimmerman, a professor of performance studies at Northwestern and a former MacArthur fellow, is a major figure in innovative theatrical venues nationwide. She is known to classicists particularly for her adaptation of the Odyssey, which has been staged in a number of cities since its 1989 premiere. Metamorphoses is, however, her first Broadway production. The show opened off Broadway last fall, and that run was preceded by several others in Chicago, Seattle, Berkeley, and Los Angeles over the past five or more years. 2 As a result, probably everybody [End Page 623] knows something about the play, if only that it is staged in and around a pool of water. The pool is in many ways the star of the show. In the play's opening episode, the Cosmogony, it signifies elemental water, and it recalls its original elemental role in subsequent appearances while signaling that in an Ovidian world, even elemental substances undergo constant change. Thus, water, the most protean of elements, becomes the luxurious swimming pool of a nouveau riche Midas, the ocean in which Ceyx drowns, the food devoured by Erysichthon, Narcissus' mirror, a basin to hold Myrrha's tears, the River Styx when it is crossed by Orpheus, another swimming pool (or maybe the River Po?) on which Phaethon neurotically floats. The pool is surrounded by a three-foot-wide deck, and the minimalist set is completed by an imposing double door behind the pool and to the left; a raised platform behind the pool and to the right; a rectangle of painted skyscape, vaguely reminiscent of Magritte, above the platform; and a chandelier above the pool. A cast of ten actors plays a couple of dozen characters, changing in and out of costumes that are evocative of a generalized antiquity but one in which such things as suspenders and trousers are not unknown: a dream antiquity, then, in which modern viewers can lose themselves or find themselves as circumstances dictate.The advance notices that I had heard or read prepared me to enjoy the play, but its power surprised me. Metamorphoses was an elating experience and one that moved me nearly to tears. It accomplished this by unexpected means. The script is not designed as a vehicle for virtuoso acting. The cast respect this quality in their lines and do not overplay the hand that they are dealt. Instead, the basic emotions of each story are allowed to speak directly. Not that the script or the actors' readings are naïve—on the contrary, they are generally inflected in just the right directions throughout a series of episodes that are, by turns, campy, risqué, or silly and then sweet, shocking, or exquisitely, heart-wrenchingly sad. It is in fact here that this play and this production excel: Laughter and tears walk side by side in each episode but with a different cadence in each case. Now tears are a reproach for taking a story too lightly; now laughter lightens and consoles in the midst of sorrow. In conducting the audience through this spectrum of emotions, Zimmerman has captured the seriocomic element in Ovid as perhaps no other interpreter has ever done. 3 It is worth mentioning here that the basis of Zimmerman's text... (shrink)

There is a curious reluctance in many quarters to try to apply to the philosophical questions the ordinary person in the street is continually raising, the technique and results of recent logical and philosophical analysis. Ordinary persons like Uncle Tom and Aunt Mary persist in asking questions about the meaning of the Universe and the destiny of the individual. Yet, on the whole, the only answers that are offered come from those quarters that find themselves to-day increasingly out of (...) tune with the temper and idiom of the times and more and more out-manoeuvred by the “talkie” and the gossip columnist of the gutter press. This situation has certain unfortunate results, and consequently imposes on philosophical analysis a special function at the present time. (shrink)

Essay "On Justice" written by Gonzaga University School of Law Professor John Morey Maurice and illustrated with prints created by Gonzaga University Art Department Professor Mary Farrell.

Recent history makes clear that the quantum leaps being made in technology are the leading edge of a groundswell of paradigm shifts taking place in science, politics, economics, social institutions, and the expression of cultural values. Indeed it is the simultaneity and interdependence of these changes occurring in every dimension of human experience and endeavor that makes the present so historically distinctive. The essays gathered here give voice to perspectives on the always improvised relationship between technology and cultural values from (...) Africa, the Americas, Asia, Australia, Europe, and the Pacific. Contributors: Syed Muhammad Naquib Al-Attas, Roger T. Ames,Yoko Arisaka, Carl Becker, Francesca Bray, James Buchanan, Arindam Chakrabarti, Frank W. Derringh, Rolf Elberfeld, Charles Ess, Andrew Feenberg, Susantha Goonatilake, H. Jiuan Heng, Peter Hershock, Thomas P. Kasulis, George Khushf, David Farrell Krell, Joel J. Kupperman, William R. LaFleur, Lois Ann Lorentzen, David Loy, Joseph Margolis, Hans-Georg Möller, Robert Cummings Neville, Peimin Ni, Monica Atieno Opole, Kuruvilla Pandikattu SJ, Helen Petrovsky, Ramon Sentmartí, Kristin Shrader-Frechette, Vasanthi Srinivasan, Marietta Stepaniants, Vyacheslav S. Stiopin, Henk ten Have, Paul B.Thompson, Mary Tiles, David B.Wong. (shrink)